{"id":849,"date":"2020-10-09T15:03:10","date_gmt":"2020-10-09T13:03:10","guid":{"rendered":"https:\/\/www.museonitsch.org\/?page_id=849"},"modified":"2024-11-19T12:18:21","modified_gmt":"2024-11-19T11:18:21","slug":"biography","status":"publish","type":"page","link":"https:\/\/www.museonitsch.org\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"<p>Hermann Nitsch (29th August 1938 Wien &#8211; 18th April 2022 Mistelbach) is one of the most famous international artists of the second half of the XX century. He is an exponent of the Wiener Aktionismus with G\u00fcnter Brus, Otto M\u00fchl and Rudolf Schwarzkogler that around the 60s become the major expression of the European Body Art movement. Between 1957 and 1960 Nitsch has developed the project for his Orgies Mysteries Theater, an expression of total art (Gesamtkunstwerk) related to the psycho-analytical concept of abreaction, an emotional motion that allows a subject to remove the effects of dramatic events. By allowing the cathartic liberation from religious, moralistic and sexual taboos, Nitsch proposes the enactment of ancestral rituals and ceremonies.<br \/>\nAt that time Nitsch &#8211; graduated at the Experimental Graphic Institute of Vienna &#8211; joins as a painter the tachiste movement that is based on the interpretation of the informal culture exalting the gesture through which the dripping colour is directly thrown on canvas.<br \/>\nFrom 1961 on, his actions, where a lamb is tore and its blood used as bleeding painting, become more often and more articulated. Since 1962 men are involved of his performances too; a passive-actor is \u201ccrucified\u201d and sprinkled by bleeding blood. In the 60s more materials (as animals\u2019 interiors), viewers and actors are involved in his performances. At the end of 60s when the revolution in art pushes the boundaries, in Germany with Beuys and Vostell, in the USA with Allan Kaprow and the Environment and Happening, and later with Fluxus, Nitsch puts on a theatrical play as a celebration of life, with the synesthetic involvement of the existence. In 1971 Nitsch and his wife Beate buy a castle in Prinzendorf, 50km far away from Vienna that becomes the main place for his Orgien Mysterien Theater. Different actions take place from Whitsunday 1973. In 1974 he meets Giuseppe Morra and one of his actions (45.aktion) takes place in the Studio Morra and causes his expulsion from Italy. In the same year Morra arranges in D\u00fcsseldorf, Germany, a long monumental action during the three days of the fair. The Studio Morra becomes his main gallery and his publisher. His major theoretical work the O. M. Theater 2 is published by Morra. In 1977, after the tragic death of his wife Beate, he commemorates her through the 55.action that takes place in the church of Santa Lucia in Bologna. The requiem score is again published by Morra. In 1979, he moves to a fisherman\u2019s house in the archaeological area near Cuma (Naples), where some years before he was with his wife. This inspiring place is ideal to project a new action named cuma k\u00f6nig \u00f6dipus III.fest. On Morra\u2019s suggestion he writes the score, which is published in 1983. In the 1970s and \u201880s the numbers of his actions increase, he is invited to important international events, to museums, to take conferences and play his music.<br \/>\nHis 80.aktion takes place in July 1984 and lasts 3 days and 3 nights. The score is published by Morra in 1994 titled \u201cHermann Nitsch\u201d, with texts by Achille Bonito Oliva, J\u00fcrgen Schilling, Angelo Trimarco, Vincenzo Trione and the photographs by Libero De Cunzo. From the 1990s on, Nitsch has been invited to museums and institutions all over the world (personal and collective exhibitions) where he principally shows with a strong expressive energy his relicts, objects, installation materials, big canvas, his scores and graphic projects, creating his peculiar language that embraces either to theatre, painting, music, photo, video and performance.<br \/>\nOn September 13, 2008 Giuseppe Morra opens the Hermann Nitsch Museum Archive Lab for Contemporaries Arts in Napoli, a space for documentation and in-depth study of Nitsch\u2019s work, which hosts the historical production and the most recent installations to explore as wide as possible his extraordinary and huge work.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Aktions and Malaktions<\/strong><\/p>\n<p>158.aktion 18 september 2020, museo nitsch napoli<br \/>\n85.malaktion 12-14 september 2020, museo nitsch, napoli<br \/>\n152.aktion 8 october 2017, casa morra. archivio d\u2019arte contemporanea, napoli<br \/>\n140.aktion 21 september 2013, art berlin contemporary, stand studio morra\/alnitak art agency, berlin<br \/>\n64.malaktion 6-13 october 2012, mart rovereto (trento)<br \/>\n135.aktion 14 may 2012, 11.biennale de arte, havana cuba<br \/>\n62.malaktion 21 april 2012, casa serpone, torrita tiberina (rome)<br \/>\n130.aktion pfingstfest pentecost festival 23 may 2010, museo nitsch and vigna san martino, napoli<br \/>\n129.lehraktion 27 november 2009, galleria hofficina d\u2019arte, rome<br \/>\n54.malaktion august 2008, museo nitsch, napoli<br \/>\n111.aktion pfingstfest pentecost festival 19 may 2002, vigna san martino, napoli<br \/>\n108.lehraktion 5 july 2001, gam rome, le trib\u00f9 dell\u2019arte II, curated by Achille Bonito Oliva<br \/>\n96.aktion pfingstfest 26 may 1996, vigna san martino, napoli<br \/>\n21.malaktion april 1987, studio morra, napoli<br \/>\n18b.malaktion june-july1986, casa morra, napoli<br \/>\n68.aktion 20 september 1980, convento delle oblate, florence<br \/>\n63.aktion 10 june 1978, teatro romano, trieste<br \/>\n61.aktion 25 aprile 1978, modern art galerie, wien<br \/>\n60.aktion 21 aprile 1978 galerie petersen 1978, berlin<br \/>\n55.aktion 1 june 1977, requiem f\u00fcr meine frau beate, chiesa santa lucia, bologna (as part of the first international performance art week curated by Francesca Alinovi, Renato Barilli and Roberto Daolio)<br \/>\n54.aktion (lehraktion) 29 april 1977, studio morra, napoli<br \/>\n53.aktion 30 november 1976, teatro out off, milan<br \/>\n51.aktion 24 june 1976, arte fiera bologna, with rosanna chiessi, bologna<br \/>\n47.aktion 18-20 october 1974, kunstmesse stand studio morra, d\u00fcsseldorf<br \/>\n45.aktion 10 april 1974, \u201cteatro delle azioni misteriose\u201d, studio morra, napoli<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Exhibitions, conferences and workshop<\/strong><\/p>\n<p>2024 \u00ab Rien de trop beau pour les dieux &#8211; Nothing too Beautiful for the Gods\u201d. Exhibition at Fondation Opale, Lens\/Crans-Montana, Switzerland,15 December 2024 &#8211; 20 April 2025<br \/>\n2024 \u201cAzionismo Viennese\u201d curated by Giuseppe Morra, Archivi Casa Morra Napoli, 1 october 2024- 26 september 2026<br \/>\n2024 \u201c50 anni di amicizia 1974-2024\u201d curated by Giuseppe Morra, Museo Hermann Nitsch Napoli, 1 october 2024- 26 september 2026<br \/>\n2024 THE INEBRIATION OF BEING residential workshop inspired by the three books of the \u201cFeasts\u201d and the \u201cMonastic Rules\u201d by Hermann Nitsch heald by theatrum phonosophicum (Leopoldo Siano &#038; Shushan Hyusnunts) 5-8 september 2024, Museo Nitsch<br \/>\n2024 IN THE SONG FOR LOVE \u2013 Rite of Repair. The shapes and colors of the Song of Creatures. Saint Francis of Assisi and Hermann Nitsch. Workshop on performing arts held by Andrea Cramarossa. Napoli \/ Caggiano (SA) 10-19 may 2024<br \/>\n2023 \u201cHermann Nitsch. Cathartic Aversion: Paintings, Actions, Relics and Musical Scores 1962 \u2013 2020\u201d. Curated by Flaminio Gualdoni. 26 may &#8211; 7 october 2023 (ABC Arte Genoa and Milan)<br \/>\n2023 OEDIPUS. BODY OF BLOOD | Process II \u2013 PENTESILEA | Teatro delle Bambole. International Masterclass on the relationship between sound and body from Kleist\u2019s \u201cPenthesilea\u201d in Hermann Nitsch\u2019s reinterpretation held by Andrea Cramarossa. Museo Hermann Nitsch Napoli,  9-21 may 2022<br \/>\n2022 \u201cHermann NITSCH| 108.lehraktion, photo by Stefano FONTEBASSO DE MARTINO\u201d Opening 14 october  2022, Magazzini Fotografici Napoli.<br \/>\n2022 OEDIPUS. BODY OF BLOOD closing event of the Masterclass held by Andrea Cramarossa focused on the relationship between sound and body 21 \u2013 22 may, Museo Hermann Nitsch, Naples<br \/>\n2020 \u201cSinfonia Napoli\u201d, curated by Giuseppe Morra, 25 september 2020, Museo Hermann Nitsch, Napoli<br \/>\n2018 \u201cTen years 2008-2018 Museo Hermann Nitsch\u201d, curated by Giuseppe Morra, 15 september 2018 &#8211; 31 july 2020, Museo Hermann Nitsch, Napoli<br \/>\n2017 \u201cTra Rumore Primigenio e Armonia delle Sfere\u201d, workshop on Herman Nitsch\u2019s music, curated by Leopoldo Siano, 9-13 October, Museo Nitsch, Napoli<br \/>\n2017 \u201cI giganti dell\u2019arte dal teatro: Hermann Nitsch &#8211; Julian Beck &#8211; Shozo Shimamoto &#8211; Joseph Beuys\u201d, curated by Giuseppe Morra, 8 october 2017 &#8211; 10 october 2018, Casa Morra Archivio d\u2019arte contemporanea, Napoli (Group show)<br \/>\n2017 \u201cI Marted\u00ec Critici &#8211; Hermann Nitsch\u201d, curated by Alberto Dambruoso and Guglielmo Gigliotti, 3 October, Art Forum W\u00fcrth Capena, Capena (Rome)<br \/>\n2017 \u201cHermann Nitsch &#8211; O.M.T. Colore dal Rito&#8221;, curated by Italo Tomassoni and Giuseppe Morra, 25 March &#8211; 9 July, CIAC-Centro italiano arte contemporanea, Foligno<br \/>\n2017 \u201cIncontro con Hermann Nitsch\u201d, curated by Renato Barilli, 27 January, Auditorium Sala Borsa Universit\u00e0 di Bologna<br \/>\n2016 \u201cHermann Nitsch e il Teatro\u201d, curated by Hubert Klocker, 15 october 2016 &#8211; 8 January 2017, AMO &#8211; Arena Museo Opera, Verona<br \/>\n2016 \u201cHermann Nitsch. Arena &#8211; opere dall\u2019opera\u201d curated by Giuseppe Morra, 23 April 2016 &#8211; 13 September 2018, Museo Nitsch, Napoli<br \/>\n2015 \u201cHermann Nitsch &#8211; Das Orgien Mysterien Theater\u201d, 10 July &#8211; 20 September 2015, ZAC Cantieri Culturali alla Zisa, Palermo<br \/>\n2015 \u201cDas Orgien Mysterien Theater\u201d, Giuseppe Morra in conference, and projection of the film \u201c135.aktion\u201d, 27 February 2015 Ex Teresa Arte Actual, Mexico City<br \/>\n2015 \u201cAu rendez-vous des amis\u201d Convention-International Expo curated by Bruno Cor\u00e0, 27 June &#8211; 13 December 2015, Fondazione Palazzo Albizzini Collezione Burri, Citt\u00e0 di Castello (Group show)<br \/>\n2014 \u201cHermann Nitsch. Malaktionismus &#8211; Exzess und Sinnlichkeit \/ Azionismo pittorico &#8211; eccesso e sensualit\u00e0\u201d curated by Michael Karrer, 25 October &#8211; 9 April 2016, Museo Nitsch, Napoli<br \/>\n2014 \u201cHermann Nitsch. die eroberung von jerusalem \/ conquista di gerusalemme\u201d, Fondazione Morra donation to Pio Monte della Misericordia, Napoli<br \/>\n2014 \u201cHermann Nitsch. Carne e luce\u201d, curated by Claudio Strinati, 18 June -11 July, Fondazione Ducci, Rome<br \/>\n2014 \u201cHermann Nitsch. Arena &#8211; opere dall\u2019opera\u201d curated by Giuseppe Morra, 27 September 2014 &#8211; 29 March 2016, Nitsch Museum, Mistelbach<br \/>\n2014 \u201cHermann Nitsch incontra gli studenti dell\u2019Accademia di Belle Arti\u201d speech with Lorenzo Mango, Vincenzo Bergamene and Aurora Spinosa, 20 May, Accademia di Belle Arti, Napoli<br \/>\n2014 \u201cArte, psicoanalisi e societ\u00e0 &#8211; la poetica della metamorfosi\u201d with Hermann Nitsch, Massimo Fusillo, Lorenzo Mango and Gian Paolo Sammarco, 21 May, Museo Nitsch Napoli<br \/>\n2013 \u201cHermann Nitsch\u201d, Art Berlin Contemporary, stand Studio Morra\/Alnitak Art Agency, 18 &#8211; 21 September, Berlino<br \/>\n2013 \u201cDuetto per Napoli &#8211; Nitsch e Attersee\u201d, curated by Achille Bonito Oliva, 30 November &#8211; 1 March 2014, Castel dell\u2019Ovo, Napoli<br \/>\n2013 &#8220;Personal Structures&#8221;, curated by Karlyn De Jongh and Sarah Gold, 31 May \u2013 27 November, Palazzo Bembo, Venice (Group show)<br \/>\n2012 \u201cAbout Caravaggio. Visioni &amp; illusioni contemporanee\u201d, curated by Anna Imponente, 30 November &#8211; 7 April 2013, Scuderie Aldobrandini, Frascati (Group show)<br \/>\n2012 \u201cExplosion: painting as action\u201d, curated by Daniel Birnbaum, 2 June &#8211; 10 ottobre, Moderna Musee, Stockholm (Group show)<br \/>\n2012 \u201cLa perversi\u00f2n de lo Cl\u00e1sico: Anarquia de los relatos \/ La Perversione della Classicit\u00e0: Anarchia delle narrazioni\u201d Cuba Pavillon 55. Biennale di Venezia, curated by Jorge Fern\u00e1ndez Torres and Giacomo Zaza, 31 May &#8211; 24 November 2013, Museo Archeologico Nazionale, Venice (Group show)<br \/>\n2011 \u201cLeonardo. Il genio, il mito\u201d curated by Renato Barilli, 17 November &#8211; 29 January 2012, Scuderie Juvarriane della Reggia di Venaria Reale, Turin (Group show)<br \/>\n2011 \u201cdas sein ESSERE\u201d, readings by Hermann Nitsch, with Giuseppe Zevola, speech by Lorenzo Mango and Romano Gasparotti, 7 July, Fondazione Alario, Ascea (Salerno)<br \/>\n2011 \u201cViolenza, frutta, fiori e redenzione: Un discorso poetico su Caravaggio e Hermann Nitsch\u201d, speech with Hermann Nitsch and Robert C. Morgan (University of Philadelphia, U.S.A), 5 July, Museo Nitsch Napoli<br \/>\n2010 \u201cCiclo di incontri Caravaggio e il contemporaneo &#8211; incontro sull\u2019opera artistica di Joseph Beuys\u201d speech with Massimo Don\u00e0, curated by Romano Gasparotti, 10 november, Museo Nitsch, Napoli<br \/>\n2010 \u201cOpere Napoletane\u201d new setting up of Museo Nitsch, 11 September &#8211; 1 August 2014, Museo Nitsch Napoli<br \/>\n2010 \u201cCiclo di incontri Caravaggio e il contemporaneo\u201d curated by Romano Gasparotti, speech with Andrea Cardillo, B. del Guercio, Massimo Don\u00e0, Felix Duque, Elena Pontiggia, Vincenzo Vitiello, Giuseppe Zevola, 18 June, Museo Nitsch, Napoli<br \/>\n2010 \u201cHermann Nitsch &amp; Caravaggio\u201d, 1\u201330 May, Sagrestia del Pio Monte della Misericordia, Napoli<br \/>\n2010 \u201cL\u2019estasi dell\u2019immanenza. Richard Wagner &#8211; Hermann Nitsch, dall\u2019opera totale all\u2019O. M. Theater\u201d curated by Andrea Cardillo, speech with Romano Gasparotti, Lorenzo Mango and Aniello Montano, 30 gennaio, Museo Nitsch Napoli<br \/>\n2010 \u201cESSERE, teorie dell\u2019O. M. Theater\u201d, readings by Hermann Nitsch, translations by Steffen Wagner; presentation of the documentary \u201cH. Nitsch\u201d by Daniela Ambrosoli, 27 January, Museo Nitsch Napoli<br \/>\n2009 \u201cHermann Nitsch. Installazione Roma 2009\u201d, 27 November &#8211; 20 January 2010, Galleria Hofficina d\u2019Arte, Rome<br \/>\n2009 \u201cMadre Coraggio\u201d curated by Achille Bonito Oliva, 26 June \u2013 26 September, Villa Rufolo Ravello (Group show)<br \/>\n2009 L\u2019estasi dell\u2019immanenza. Dioniso e il dionisismo\u201d, speech by Andrea Cardillo and Marisa Tortorelli Ghidini, 17 April, Museo Nitsch Napoli<br \/>\n2009 \u201cI paesaggi e la natura dell&#8217;arte\u201d curated by Danilo Eccher, 7 April \u2013 30 September, Museo Arcos, Benevento (Group show)<br \/>\n2009 \u201cCose mai viste II. The Road to Contemporary\u201d, curated by Achille Bonito Oliva, 2 \u2013 5 April, Palazzo Barberini, Roma (Group show)<br \/>\n2009 \u201cQuinta triennale d\u2019arte sacra contemporanea\u201d, curated by Toti Carpentieri, 21 March &#8211; 3 May, Seminario Arcivescovile, Lecce (Group show)<br \/>\n2008 \u201cRelitti delle azioni 1974-2001\u201d Museo Hermann Nitsch Archivio Laboratorio per le Arti Contemporanee, opening, 13 September &#8211; 1 August 2010, Museo Nitsch Napoli<br \/>\n2008 \u201cHermann Nitsch. Opere Recenti\u201d, from 13 September, Fondazione Morra Palazzo Ruffo di Bagnara, Napoli<br \/>\n2008 \u201cHerzlichen gl\u00fcckwunsch &#8211; buon compleanno Nitsch (per i 70 anni)\u201d, 29 August, Punta Campanella Torre di Fossa lo Papa &#8211; Tenuta Del Genio, Massa Lubrense (Napoli)<br \/>\n2007 \u201cUltime Ultime Cene\u201d curated by Philippe Daverio, 16 November 2007 &#8211; 16 February 2008, Galleria Gruppo Credito Valtellinese, Milano (Collettiva)<br \/>\n2007 \u201cRelitti 122.aktion Burgtheater Wien 2005\u201d, 13 April \u2013 30 September, Fondazione Morra (Palazzo dello Spagnuolo), Napoli<br \/>\n2006 \u201cH-Aktivism\u201d curated by Dores Sacquegna, 16 December &#8211; 2 July 2007, Galleria Primo Piano Livingallery, Lecce<br \/>\n2005 \u201cThe Giving Person. Il dono dell\u2019artista\u201d curated by L\u00f3r\u00e1nd Hegyi, 26 March \u2013 10 August, PAN Naples (Group show)<br \/>\n2003 \u201cLiving Theatre. Labirinti dell\u2019Immaginario\u201d curated by Achille Bonito Oliva, 3 July &#8211; 28 September, Castel Sant\u2019Elmo, Napoli (Group show)<br \/>\n2003 \u201cHermann Nitsch relitti prinzendorf 1988\u201d, 21 september, Punta Campanella, Torre di Fossa lo Papa &#8211; Tenuta Del Genio Massa Lubrense (Napoli)<br \/>\n2003 \u201cHermann Nitsch Opere\u201d, launch for the edition with Michael H\u00fcbl and Gabriele Perretta, 12 April \u2013 10 May, Art Scarpulin, Merano<br \/>\n2003 \u201cDella Ferita. Corpi e volti dell\u2019Azionismo\u201d curated by Francesca Alfano Miglietti, from 14 October, Studio Lattuada, Milan<br \/>\n2002 \u201c108.lehraktion Roma. Relitti-foto-video-documenti\u201d, from 18 May, Fondazione Morra Napoli<br \/>\n2001 \u201cLe trib\u00f9 dell\u2019Arte II\u201d curated by Achille Bonito Oliva, \u201cAzionismo Viennese\u201d curated by L\u00f3r\u00e1nd Hegyi, 3 July &#8211; 7 October, GAM Rome (Group show)<br \/>\n2000 Arco Fiera d\u2019arte Madrid, stand Studio Morra, 10-15 February, Madrid (Group show)<br \/>\n1997 \u201cSammlung Morra (1962-1997)\u201d curated by Peter Weiermair, 29 November &#8211; 14 February, Kunstraum Innsbruck<br \/>\n1997 \u201cDadaismo &#8211; dadaismi, 300 capolavori in mostra, da Duchamp a Warhol\u201d, curated by Giorgio Cortenova, 18 July &#8211; 9 November, Galleria Comunale Palazzo Forti, Verona (Group show)<br \/>\n1996 Donation to Museo di Capodimonte Contemporary Art Collection Napoli<br \/>\n1996 \u201cRelitti, partitura, foto, e film della 96.aktion pfingstfest Festa di Pentecoste\u201d, from 12 December, Fondazione Morra (Palazzo dello Spagnuolo) Napoli<br \/>\n1995 \u201cNutrimenti dell\u2019Arte\u201d a cura di Achille Bonito Oliva, 30 July &#8211; 29 October, Fondazione Orestiadi, Gibellina (Group show)<br \/>\n1994 \u201cHERMANN NITSCH O.M. Theater\u201d, exhibition and launch of the book with Achille Bonito Oliva, J\u00fcrgen Schilling, Angelo Trimarco, Vincenzo Trione, 19 June &#8211; 17 July, Casina Vanvitelliana del Fusaro, Bacoli (Napoli)<br \/>\n1991 \u201cHermann Nitsch\u201d curated by Danilo Eccher, 23 November 1991 &#8211; 19 January1992, Galleria Civica di Trento, Trento<br \/>\n1990 \u201cOpere recenti e relitti della 84.aktion\u201d, 14 December 1990 &#8211; 31 January 1991, Galleria Stefania Miscetti, Rome<br \/>\n1988 Galerie Krinzinger for Nitsch\u2019s 50th birthday, Vienna<br \/>\n1987 \u201cSei artisti Viennesi\u201d curated by Rosanna Chiessi and Giuseppe Morra, 16 May &#8211; 16 June, Pari&amp;Dispari, Cavriago (Reggio Emila) (Group show)<br \/>\n1987 \u201cHermann Nitsch. Das Orgien Mysterien Theater 1960-1987\u201d curated by Rudi Fuchs, 3 April \u2013 3 may, Museo Diego Aragona Pignatelli Cortez, Napoli<br \/>\n1986 \u201cOpere e fotografie di azioni 1960 &#8211; 1980\u201d, from 13 June, casa Morra, Naples<br \/>\n1986 \u201cOpere 63.aktion Trieste 1978\u201d from 13 June, Studio Morra, Napoli<br \/>\n1986 \u201cDal profondo. Brus, Nitsch, Rainer. Contemplazione, energismo e mito\u201d curated by Eva Badura-Triska and Hubert Klocker, 24 September &#8211; 10 November, PAC Padiglione d\u2019arte contemporanea, Milan (Group show)<br \/>\n1986 \u201cArte Santa\u201d curated by Achille Bonito Oliva, 11 May &#8211; 31 August, Loggia Lombardesca Ravenna (Group show)<br \/>\n1985 \u201cHermann Nitsch. Opere 1960-1985\u201d, 13 November &#8211; 10 December, Mercato del Sale directed by Ugo Carrega, Milan<br \/>\n1984 \u201cArte Austriaca 1960-1984\u201d curated by Peter Weiermair, 4 June &#8211; 31 August, GAM Galleria Comunale d\u2019Arte Moderna, Bologna (Group show)<br \/>\n1982 \u201cRelitto della 68.aktion 1980\u201d, DOCUMENTA 7, curated by Rudi Fuchs, 19 June &#8211; 28 September, Kassel<br \/>\n1980 ART 11 \u201980 Die Internationale Kunstmesse Basel, stand Studio Morra, Basilea (Group show)<br \/>\n1979 \u201cHermann Nitsch &#8211; Presentazione dei nuovi libri\u201d, 31.Frankfurter Buchmesse, stand Edizioni Morra, October, Francoforte<br \/>\n1977 \u201cHermann Nitsch, Documenti, foto, reperti 1974-1977\u201d, from 29 April, Libero per, Napoli<br \/>\n1976 Arte Fiera Bologna First Edition, stand Studio Morra e Pari&amp;Dispari, Bologna (Group show)<br \/>\n1975 International Kunstmesse Wien, stand Studio Morra, Vienna<br \/>\n1974 \u201cHermann Nitsch\u201d, stand Studio Morra, 4.International Markt f\u00fcr aktuelle Kunst, 19 &#8211; 24 October, D\u00fcsseldorf<br \/>\n1974 \u201cHermann Nitsch, Fotografie della 45.aktion\u201d, Galleria Diagramma Luciano Inga Pin, Milan<br \/>\n1974 \u201cHermann Nitsch, Foto delle azioni 1962-1974\u201d, from 2 April, Studio Morra Napoli<br \/>\n1974 \u201cFotodokumentation 45.aktion napoli, 47.aktion D\u00fcsseldorf\u201c, stand Studio Morra, Art 6 \u201975 International Kunstmesse, 18 &#8211; 23 June, Basilea<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Concerts<\/strong><\/p>\n<p>2024 \u201cHermann Nitsch String Quintet\u201d- Alessandro Zambito violin I, Donato Cuciniello violin II, Gioacchino Di Stefano viola, Maria Cristiana Tortora cello, Marco Cuciniello double bass. Sunday 29 september 2024, h 20, Vigna San Martino.<br \/>\n18 settembre 2020 \u201csinfonia napoli\u201d, Nuova Orchestra Scarlatti di Napoli, director Andrea Cusumano, Museo Nitsch, Napoli<br \/>\n15 October 2016, \u201csinfonie f\u00fcr verona\u201d, Auditorium Palazzo della Gran Guardia, Verona<br \/>\n17 June 2014 \u201cconcert for fondazione ducci\u201d, imago sonora ensemble, director Andrea Cusumano, Biblioteca Angelica Salone Vanvitelliano, Rome<br \/>\n29 November 2013 \u201cduetto per Napoli\u201d Nitsch and Attersee in concert, Teatro di Corte del Palazzo Reale, Napoli<br \/>\n22 May 2010, \u201cstring quintet\u201d, string quintet H. Nitsch (Alessandro Zambito, Carlos Verduca, Enrico Cacciato, Lucio Corrente, Claudio Guadrini) directed by Andrea Cusumano, Pio Monte della Misericordia Salone della Quadreria, Napoli<br \/>\n23 June 2006, \u201cstring quintet\u201d, for \u201cUna notte di arte totale inaugura Fresco Bosco\u201d curated by Achille Bonito Oliva, Certosa di San Lorenzo, Padula<br \/>\n23 September 2003, \u201csinfonia punta campanella in 4 movimenti\u201d, director Andrea Cusumano, in \u201cLabirinti dell\u2019immaginario &#8211; sezione concerti\u201d, Auditorium Castel Sant\u2019Elmo, Napoli<br \/>\n22 September 2003, \u201csinfonia punta campanella in 4 movimenti\u201d, director Andrea Cusumano, Torre di Fossa Lo Papa, Alberto and Valeria Del Genio\u2019s runch, Massa Lubrense (Napoli)<br \/>\n3 April 1987 piano concert for the opening of the show \u201cHermann Nitsch. Das Orgien Mysterien Theater 1960-1987\u201d curated by Rudi Fuchs, Museo Diego Aragona Pignatelli Cortez, Napoli<br \/>\n1 June 1977, 55.aktion Requiem f\u00fcr meine frau beate, Chiesa Santa Lucia, Bologna as part of the first International Performance Art Week curated by Francesca Alinovi, Renato Barilli and Roberto Daolio)<br \/>\n27 September 1974, \u201cSelten Geh\u00f6rte Musik &#8211; Musica che si ascolta raramente. Das Berliner Konzert\u201d with Christian Attersee, G\u00fcnter Brus, Hermann Nitsch, Arnulf Rainer, Dieter Roth, Gerhard R\u00fchm, Dominik Steiger, Oswald Wiener, Kirche zum Heiligen Kreuz Berlin<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The following collections and museums own works of Hermann Nitsch:<\/strong><\/p>\n<p>AGO Art Gallery of Ontario, Toronto Canada<br \/>\nCastello di Rivoli, Torino Italia<br \/>\nCasa Serpone, Torrita Tiberina (Roma) Italia<br \/>\nCentre Georges Pompidou, Paris France<br \/>\nEssl Collection of Contemporary Art, Klosterneuburg Austria<br \/>\nFerdinandeum, Innsbruck Austria<br \/>\nGalerie Lenbachhaus, Munich Germany<br \/>\nGuggenheim Collection, New York USA<br \/>\nKunsthalle, Hamburg Germany<br \/>\nKunstmuseum, Bern Switzerland<br \/>\nKunstmuseum Winterthur Switzerland<br \/>\nKunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf Germany<br \/>\nBusch-Reisinger Museum Harvard University, Cambridge USA<br \/>\nMAMBO Galleria d\u00b4Arte Moderna, Bologna Italia<br \/>\nMART Museo di Arte Moderna e Contemporanea, Trento Italia<br \/>\nMetropolitan Museum of Art, New York USA<br \/>\nMOMA Museum of Modern Art, New York USA<br \/>\nModerna Museet, Stockholm Sweden<br \/>\nMumok &#8211; Museum Moderner Kunst Stiftung Ludwig, Wien Austria<br \/>\nMuseo di Capodimonte, Napoli Italia<br \/>\nMuseum Ludwig, Koln Germany<br \/>\nMuseum University of Yale, New Haven USA<br \/>\nNationalgalerie, Berlin Germany<br \/>\nNitsch Museum, Mistelbach Austria<br \/>\nPio Monte della Misericordia, Napoli Italia<br \/>\nRupertinum, Salzsburg Austria<br \/>\nWalker Kind Center, Minneapolis USA<br \/>\nStaatsgalerie Stuttgart Germany<br \/>\nStedelijk Museum, Amsterdam Netherlands<br \/>\nTate Gallery, London UK<br \/>\nVan Abbemuseum, Eindhoven Netherlands<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hermann Nitsch (29th August 1938 Wien &#8211; 18th April 2022 Mistelbach) is one of the most famous international artists of the second half of the XX century. He is an<a class=\"excerpt-read-more\" href=\"https:\/\/www.museonitsch.org\/en\/biography\/\" title=\"ReadBiography\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-849","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/pages\/849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/comments?post=849"}],"version-history":[{"count":9,"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/pages\/849\/revisions"}],"predecessor-version":[{"id":1906,"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/pages\/849\/revisions\/1906"}],"wp:attachment":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/media?parent=849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}