BAYREUTH WALK\u00dcRE and 158.aktion RELICTS curated by Giuseppe Morra and Lorenzo Mango exhibition 2022-2024<\/p>\n
malaktion walk\u00fcre july-august 2021 bayreuther festspiele, bayreuth
\n158.aktion 18.09.2020 museo nitsch naples
\nlehraktion 15.09.2018 ten years museo nitsch naples
\n152.aktion 8.10.2017 casa morra archivi d\u2019arte contemporanea naples
\n77.malaktion 8.10.2017, casa morra archivi d\u2019arte contemporanea naples
\n2015 homage to Alberto Burri fondazione palazzo albizzini citt\u00e0 di castello
\n135.aktion 14.05.2012 dionysos versus the crucified (part 1) istituto superior de arte 11.biennale havana cuba
\n54.malaktion august 2008 museo nitsch naples
\naktion 24-27.1.1988 schloss prinzendorf
\npreparatory drawings for malaktion walk\u00fcre 2021
\ndie eroberung von jerusalem (the conquest of jerusalem) 1971\/2008
\ndas letzte abendmahl (the last supper) 1983\/2015
\nk\u00f6nig \u00f6dipus (oedipus king) 1981\/2017
\nolfactory, gustatory, and colour laboratory 2008
\ncolor theory of the o. m. theater 2008
\nphotographs malaktion walk\u00fcre 2021 bayreuther festspiele, bayreuth
\nphotographs 152.aktion 8.10.2017 casa morra archivi d\u2019arte contemporanea, naples
\nphotographs 130.aktion 23.05.2010 pfingstfest – feast of pentecost museo nitsch and vigna san martino, naples
\nphotographs satyagraha october 2001 festspielhaus, st. p\u00f6lten
\nphotographs aktions 1962-1966
\nstaircase vico II avvocata<\/p>\n
The exhibition BAYREUTH WALK\u00dcRE and RELICTS 158.aktion, in conjunction with the Nitsch Museum in Mistelbach, the Nitsch Foundation, and with the support of the Goethe-Institut Neapel, offers to its audience a hitherto unseen connection between a wide selection of paintings from the malaktion walk\u00fcre and the relicts of 158.aktion, the last action directed by the Austrian artist in Napoli.
\nThe first set of works comes from the impressive pictorial actions created by Hermann Nitsch as performative events at the concert of Richard Wagner\u2019s The Valkyrie during the Bayreuth Festival in the summer of 2021.<\/p>\n
\u201c\u2026 without competing with wagner, i would like to show the continuation of his work in the direction of orgies mysteries theatre. my actionist performance theatre wants to sensitise the gesamtkunstwerk even more. the impressions of all five senses are mixed. the real act of the festival is the goal. in this case through a dionysian, orgiastic acting out by a painting action, which is not to illustrate wagner, nor is it to be used as a backdrop, nor is it to be used for wagner as a backdrop. an intense event is to be coupled with another intense event.\u201d (Hermann Nitsch, malaktion and richard wagner)
\nNitsch does not merely \u2018set the stage for\u2019 The Valkyrie, rather, he sets in motion, as the action unfolds, a process of intensification and expansion of the sensory experience that lies at the heart of the Orgies Mysteries Theater. The Bayreuth experience is also reproduced through the video projections, photographs, and a selection of Nitsch\u2019s drawings.
\nLorenzo Mango writes: \u201cThe total work of art in Nitsch\u2019s interpretation is redolent of Wagner\u2019s memory but goes beyond it. In the Orgies Mysteries Theatre, it is determined by experience, contact with the vital in its most absolute and primal form, the senses, and the sensuality of theatre.\u201d<\/p>\n
\u201c\u2026 i wish to put on a painting action where the colours of the poured and smeared paint, spanning the whole spectrum of the rainbow, attempt to compete in a positive sense with the blazing colouration of wagnerian music. the painting actions are precursors to my own orgies mysteries theatre i have developed in prinzendorf. i\u2019ll be absolutely delighted if in the three acts glowing colours stream down uninterrupted from up above. the events of the actual act of painting are to be like music. sounds turn into colours.\u201d (Hermann Nitsch, on the painting action WALK\u00dcRE)
\nIn connection with the large paintings, the relics and documents from the 158.aktion – the last one to be led by Nitsch are on show to the public. In this action, the Austrian Master acknowledged the primary importance in terms of dynamism and intensity of the \u201csinfonia napoli\u201d \u2013 an integral part of the event, performed by the Orchestra Scarlatti under the baton of Andrea Cusumano \u2013 through which, in September 2020, he wished to celebrate both Giuseppe Morra and the city of Naples, on the occasion of the twelfth anniversary of his Neapolitan Museum-Laboratory.<\/p>\n","protected":false},"featured_media":1784,"template":"","class_list":["post-1816","allestimenti","type-allestimenti","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/allestimenti\/1816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/allestimenti"}],"about":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/types\/allestimenti"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/media\/1784"}],"wp:attachment":[{"href":"https:\/\/www.museonitsch.org\/en\/wp-json\/wp\/v2\/media?parent=1816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}