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DTSTART;TZID=Europe/Rome:20250607T040000
DTEND;TZID=Europe/Rome:20250610T120000
DTSTAMP:20260516T170832
CREATED:20250527T141324Z
LAST-MODIFIED:20250527T141324Z
UID:1974-1749268800-1749556800@www.museonitsch.org
SUMMARY:THE ORGIES MYSTERIES THEATER Performance of the last 3 days of the 6-day play
DESCRIPTION:the 6 day performance of the o.m. theatre aims to be the greatest and most important celebration of man […]. it is at once a folk festival and a mysterium of existence that is brought to consciousness. the festival that is the o.m. theatre has no other pretext than the mystical glorifying of our being-here. the festival propels in the direction of an existence realized by people who come around to themselves. […] \nthe whole course of life is condensed into a mythical experience. the rapturous intensity of existence must spread over all areas of being\, across everyday life. a world overcome with cheerful joviality should allow us to serenely immerse in all possibilities of enjoyment. all the senses have to be intensified and sensitized. the extreme sublimation of the excessive is the upsurge of the intensely felt liveliness spreading through us\, rising to the joyous rapture of the state of altruistic love. love not understood as commandment but as state\, as the highest state of existence\, as a state of being. love is the mystic of being spread across the whole of life. \nHermann Nitsch \nIt was Hermann Nitsch’s wish that Schloss Prinzendorf should remain the venue for his O.M. Theater even after his death. Rita Nitsch is fulfilling this last request with the staged performance of the 160th action. This year\, from 7-9 June 2025\, the last part for the time being will take place. \nThe days 1 and 2 of this second version of the 6-day play were performed in July 2022. The third day\, dedicated to Dionysus\, the god of wine\, joy\, grapes\, fertility and ecstasy\, was performed on Pentecost Sunday 2023. Rita Nitsch\, supported by Andrea Cusumano\, Leonhard Kopp and Frank Gassner\, realized the heartfelt wish of the artist\, who died in April 2022\, with more than 60 actors and over 100 musicians. This year\, from June 7-9\, 2025\, the last section for the time being will take place: the performance of the last 3 days of his 6-day play in the 2nd extended version. \nThe consummation of life should be a celebration and the 6-day play of the Orgien Mysterien Theater should be the greatest celebration of mankind! \nThe setting of the play is the castle complex in Prinzendorf with all its rooms and the surrounding landscape as well as the cellar alleys of the Lower Austrian wine district. \nhttps://www.nitsch-foundation.com/news/das-6-tage-spiel-2025/
URL:https://www.museonitsch.org/en/evento/the-orgies-mysteries-theater-performance-of-the-last-3-days-of-the-6-day-play/
LOCATION:Atelier Hermann Nitsch Prinzendorf Austria\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.museonitsch.org/wp-content/uploads/2025/05/start_MG_8268-©-Elisa-Partenzi-1240x698-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230528T053000
DTEND;TZID=Europe/Rome:20230529T053000
DTSTAMP:20260516T170832
CREATED:20230428T122351Z
LAST-MODIFIED:20230428T122445Z
UID:1854-1685251800-1685338200@www.museonitsch.org
SUMMARY:THE 6-DAY-PLAY performance of the 3rd day “day of dionysus”
DESCRIPTION:HERMANN NITSCH\nDAS ORGIEN MYSTERIEN THEATER\nTHE 6-DAY-PLAY \nperformance of the 3rd day “day of dionysus”\nPentecost Sunday\, 28 May 2023 from sunrise to sunrise\nSchloss Prinzendorf and the surrounding area\, Austria \n3rd day\nTHE DAY OF DIONYSUS\nSCHERZO\nOBLIGATORY EXCESS \nthe third day addresses the myth of the god dionysus\, the archetype of dionysus and the phrase DIONYSUS AGAINST THE CRUCIFIED. dionysus is the god of the world’s ruin and rebirth\, the resurrection of flesh. he is the crucified\, torn and resurrected. the ruins and rebirths of worlds pulsate through his flesh. the never-ending\, recurring big bang has its source in the vitality of his body. all suppressed unlived life should be turned outward. we want to invoke the abysses of the nature found in us\, that determine us\, by awakening in excess. people are invited to drink. procession through the fields and vineyards. music plays in all the places. intoxicating and uninhibited joy. \nTickets and information: \nparticipation fee: € 350.-\nearly-bird tickets for bookings until 5 May 2023: € 300\,00\nmembers of the vereins zur förderung des o.m. theaters: € 175\,00\nwith at least 3 years of active membership (i.e. continuos payments of the yearly fee\, excluding honorary members) \nNITSCH FOUNDATION\, Hegelgasse 5\, 1010 Vienna\nTel +43 1 513 55 30 | office@nitsch-foundation.com\nwww.nitsch-foundation.com/en/6-day-play
URL:https://www.museonitsch.org/en/evento/the-6-day-play-mysterien-performance-of-the-3rd-day-day-of-dionysus/
LOCATION:Atelier Hermann Nitsch Prinzendorf Austria\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.museonitsch.org/wp-content/uploads/2023/04/HN_6-tage-spiel_1998.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221022T180000
DTEND;TZID=Europe/Rome:20221022T180000
DTSTAMP:20260516T170832
CREATED:20221017T123735Z
LAST-MODIFIED:20221028T082248Z
UID:1770-1666461600-1666461600@www.museonitsch.org
SUMMARY:HERMANN NITSCH - BAYREUTH WALKÜRE E RELITTI 158.aktion
DESCRIPTION:In conjunction with the Nitsch Museum in Mistelbach and the Nitsch Foundation\, with the support of the Goethe-Institut Neapel\, The Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch Napoli\, true to its vocation\, is updating its exhibition space for the two-year period 2022-2024 to present Hermann Nitsch – BAYREUTH WALKÜRE E RELITTI 158.aktion. The exhibition opens on Saturday 22 October at 6 pm.\, offering the public a hitherto unseen dialogue between a wide selection of works from the malaktion walküre and the relics of the last action\, directed by Hermann Nitsch in Naples. \nThe first set of works on show in the Museum’s ground-floor rooms come from Nitsch’s pictorial action in the form of a scenic event at the concert performance of Richard Wagner’s The Valkyrie at the Bayreuth Festival in the summer of 2021. \n“i wish to put on a painting action where the colours of the poured and smeared paint\, spanning the whole spectrum of the rainbow\, attempt to compete in a positive sense with the blazing colouration of wagnerian music. the events of the actual act of painting are to be like music. sounds turn into colours. the painter is stirred and aroused\, vents himself in the painting process. he is the first actor. he feels the very substance of the paint\, the fluidness\, the slithery slim\, the pulp of the thick paint\,” Hermann Nitsch wrote on that occasion (Wien\, 1938 – Mistelbach\, 2022). “i have enthusiastically loved wagner’s work. the gesamtkunstwerk was his priority. it is experienced through all the senses. he was always my teacher\, and still is today.” \n“The total work of art in Nitsch’s interpretation – Lorenzo Mango writes in a composite essay accompanying the exhibition- is redolent of Wagner’s memory but goes beyond it. In the Orgies Mysteries Theatre\, it is determined by experience\, contact with the vital in its most absolute and primal form\, the senses\, and the sensuality of theatre”. Thus\, Nitsch does not merely set the stage for The Valkyrie; rather\, he sets in motion\, as the action unfolds\, a process of intensification and expansion of the sensory experience that lies at the heart of the Orgies Mysteries Theater. The Bayreuth experience will be reproduced through video projections\, documentary\, and photographic material\, together with a selection of Nitsch’s drawings. \n“i wish to put on a painting action where the colours of the poured and smeared paint\, spanning the whole spectrum of the rainbow\, attempt to compete in a positive sense with the blazing colouration of wagnerian music. the events of the actual act of painting are to be like music. sounds turn into colours.” \nIn dialogue with the large paintings\, the relics and documents from the 158.aktion (2020) – the last one to be led by Nitsch – will be on show to the public for the first time. In this action\, the Austrian master acknowledged the primary importance in terms of dynamism and intensity of the “Sinfonia Napoli” – an integral part of the event\, performed by the Orchestra Scarlatti under the baton of Andrea Cusumano – through which\, in September 2020\, he wished to celebrate both Giuseppe Morra and the city of Naples on the occasion of the twelfth anniversary of his Neapolitan Museum-Workshop.
URL:https://www.museonitsch.org/en/evento/hermann-nitsch-bayreuth-walkure-e-relitti-158-aktion/
LOCATION:Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
ATTACH;FMTTYPE=image/jpeg:https://www.museonitsch.org/wp-content/uploads/2022/10/manifesto-bayreuth.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220730T080000
DTEND;TZID=Europe/Rome:20220731T170000
DTSTAMP:20260516T170832
CREATED:20220713T112602Z
LAST-MODIFIED:20220713T112602Z
UID:1713-1659168000-1659286800@www.museonitsch.org
SUMMARY:160.aktion das 6-tage-spiel 2022
DESCRIPTION:HERMANN NITSCH\nOrgien Mysterien Theater\n160.aktion\ndas 6-tage-spiel 2022 – 2. Fassung (the 6-day play – 2nd version)\n30 – 31 July 2022\nAtelier Hermann Nitsch Prinzendorf\, AT \nthe 6-day play of the o. m. theatre is a work in progress. everything i’ve ever done\, my action painting\, all my performance actions\, my music\, they were all precursors for a never-to-be completed work. in 1998 i succeeded in staging a possible version of the 6-day play in the orgies mysteries theatre at prinzendorf. in 2022 i wish to stage another version of the 6-day play. the music\, extended into organ sounds and escalating into music of the spheres\, is becoming all the more essential.”\nHermann Nitsch \n24 years after the first staging of the 6-day play (1998)\, this summer the total work of art is to once again be condensed into a concentrated interplay of all its components. It was the cherished wish of Hermann Nitsch (*29 August 1938 in Vienna; Ϯ 18 April 2022 in Mistelbach) that his 6-day play be performed this year in the new version.\nThe performances of the 1st and 2nd days are to take place on 30 and 31 July 2022. Rita Nitsch is fulfilling the wish of the artist posthumously\, supported by the core team of Andrea Cusumano (musical direction)\, Leonhard Kopp and Frank Gassner. The other four days will be staged in the coming years. \nThe Orgies Mysteries Theatre\nHermann Nitsch’s idea for an action performance lasting six days and six nights goes back to the year 1957. At the time working with the medium of literature\, the artist\, influenced by the attempts of Richard Wagner and Alexander Scriabin to realise a total work of art\, imagined his own action theatre\, oriented on synaesthetic experience engrossing all five senses: the Orgies Mysteries Theatre.\nThe length is an analogy to the story of creation and is conceived as an extension of all monumental works of art. Thus\, all the performed actions of the o. m. theatre ever since the early 1960s need to be understood as part realisations of the 6-day play.\nThe Orgies Mysteries Theatre is an artistic undertaking. Besides the visual form\, the music plays a crucial role. The play’s course follows a symphonic concept. The arena for the action is the castle grounds in Prinzendorf\, encompassing all its rooms and spaces as well as the surrounding countryside of Lower Austria’s Weinviertel. \nTicketing information is available at http://www.nitsch-foundation.com/the-6-day-play-2022 \nA booklet of the 6-day play can be downloaded at\nhttps://www.nitsch-foundation.com/wp-content/uploads/2022/04/6TS_2022_July_30-31_web.pdf
URL:https://www.museonitsch.org/en/evento/160-aktion-das-6-tage-spiel-2022/
LOCATION:Atelier Hermann Nitsch Prinzendorf Austria\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.museonitsch.org/wp-content/uploads/2022/07/hermann-nitsch-cibulka-frey.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210401T080000
DTEND;TZID=Europe/Rome:20210405T170000
DTSTAMP:20260516T170832
CREATED:20210401T100408Z
LAST-MODIFIED:20210401T101312Z
UID:1665-1617264000-1617642000@www.museonitsch.org
SUMMARY:Hermann Nitsch - Being
DESCRIPTION:Hermann Nitsch “Being” Theories of the Orgien Mysterien Theaters”\nBrief passages from the original edition STYRIA Edizioni \nVoice: Antonello Cossia\nVideo: @virto360
URL:https://www.museonitsch.org/en/evento/hermann-nitsch-being/
LOCATION:Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
ATTACH;FMTTYPE=image/jpeg:https://www.museonitsch.org/wp-content/uploads/2021/04/risurrezione.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200101T180000
DTEND;TZID=Europe/Rome:20200102T113500
DTSTAMP:20260516T170832
CREATED:20190930T110318Z
LAST-MODIFIED:20201016T084655Z
UID:1180-1577901600-1577964900@www.museonitsch.org
SUMMARY:Economies of living. Video art from Croatia
DESCRIPTION:Attraverso il lavoro di 6 artisti\, lo screning Economies of Living presenta uno spaccato della produzione di video arte made in Croatia intorno al tema dell’economia e intrinsecamente al medium stesso delle immagini in movimento.\n\nMilijana Babić Working day Documentazione video della performance\, 2011 \nDrako Fritz Zagreb Confidential – Imaginary Futures Film sperimentale\, 13′ 30”\, 2015 \nIgor Grubić How Steel Was Tempered  Animazione in 2D\,12’40”\, DCP\, 2018 \nAna Hušman Lunch Video color PAL\, 4:3\, 16mm trasferito a BETA\, 16’40’’\, 2008 \nMarko Marković Sharpening Documentazione video della performance\, 12′ 04”\, 2012 \nRenata Poljak Porvenir video installazione ad un canale 12′\, 16:9\, 2019 \nSaranno presenti gli artisti Marko Markovic e Igor Grubic \nAttraverso il lavoro di 6 artisti\, lo screning Economies of Living presenta uno spaccato della produzione di video arte made in Croatia intorno al tema dell’economia e intrinsecamente al medium stesso delle immagini in movimento. La parola ecomonia – dal greco oikos /casa e  nomos / legge – è affrontata nei sei lavori esposti in accezioni diverse relative sia alla sfera più intima che a quella collettiva\, in una micro dimensione nell’ambito del quotidiano e macro in uno scenario pubblico urbano. \nDa un approccio cinematografico alla graphic animation passando per la documentazione performativa fino all’ animazione\, Ecomonies of Living restituisce la ricchezza delle sperimentazioni in campio visivo di un’area artistica estremamente prolifica dell’Est Europa. \nEconomies of Living\, a cura di Adriana Rispoli e Karla Pudar\, è la seconda collaborazione tra la Fondazione Morra di Napoli e la ONG Domino Project di Zagabria dopo l’evento Smashing the Myth del 2018 ed è supportata dalla Città di Zagabria. \nPROGRAMMA\nMilijana Babić\nWorking day\nDocumentazione video della performance\, 2011 \nL’azione Working Day pone in essere la situazione problematica in cui si trovano molti artisti freelance in Croazia quando si tratta di mera esistenza\, e mette in discussione lo stato di artisti freelance nella nostra società. Il titolo del progetto evidenzia ironicamente l’insufficienza della nostra professione all’interno della quale non è possibile sopravvivere\, a causa del fatto che il nostro lavoro è a malapena pagato e il mercato dell’arte contemporanea non esiste. In altre parole\, lavoro e compenso non sono nello stesso pacchetto. Con l’atto simbolico di scavare nei cassonetti dei rifiuti\, alla ricerca di spazzatura rimborsabile\, indossando una maglietta con il logo dell’ Associazione Artisti Freelance Croati\, questo lavoro mira ad aggiungere gli artisti freelance nella crescente lista dei socialmente a rischio – accanto a senza tetto\, pensinati e disoccupati… \nMilijana Babić (Rijeka Croazia) artista che lavora con installazioni\, performances e azioni artistiche. Ha una laurea in belle arti all’Institute of Technology di Durban\, Repubblica del Sud Africa\, e un master all’Accademia di Belle Arti e Design di Ljubljana\, Slovenia. Collabora da molto tempo con il festival City of Women in Ljubljana. Tra il 2007 e il 2014 ha lavorato come socio all’Accademia di Arti Applicate a Rijeka. È membro dell’associazione di artisti Delta 5 a Rijeka. Il suo lavoro è stato esposto in tutto il mondo. \nDrako Fritz\nZagreb Confidential – Imaginary Futures\nFilm sperimentale\, 13′ 30”\, 2015 \nIl video esplora le visioni del futuro rappresentate attraverso lo sviluppo urbano. Nella sua essenza\, può essere considerato come una forma di struttura temporale e come tale mette in discussione non solo la visione del futuro su un esempio realistico della Nuova Zagabria ma anche la struttura del film stesso. \nDarko Fritz è artista\, curatore indipendente\, ricercatore e graphic designer. È nato nel 1966 in Croazia\, e attualmente vive e lavora ad Amsterdam\, Zagabria e Korčula. Il suo lavoro colma il divario tra la pratica dell’arte contemporanea e la cultura dell’arte mediale. È fondatore e programmatore de La Grey Area – spazio di arte contemporanea e mediale dal 2006. \nIgor Grubić\nHow Steel Was Tempered\nAnimazione in 2D\,12’40”\, DCP\, 2018 \nUn padre porta suo figlio in una fabbrica abbandonata dove un tempo lavorava. L’edificio è stato a lungo ridotto come simbolo fatiscente del nuovo sistema. Tuttavia\, lo spazio sarà rapidamente portato in vita da scene registrate di solidarietà dei lavoratori\, che ispireranno un piccolo gesto di ribellione. Quell’atto simbolico si trasformerà in un momento di catarsi e ristabilirà il rapporto tra padre e figlio. Il film è stato presentato al Padiglione Croato alla Biennale di Venezia 2018. \nIgor Grubić è attivo come artista multimediale a Zagabria fin dai primi anni Novanta\, realizzando fotografie\, video e azioni site-specific. I suoi interventi nello spazio pubblico\, insieme alle opere video\, esplorano le situazioni politiche passate e presenti\, attraversando il tessuto della realtà. Grubić ha partecipato a numerose importanti mostre internazionali tra cui Manifesta 4 (Francoforte\, 2002); Manifesta 9 (Genk\, 2012); Mumok (Vienna\, 2009); 11. Biennale di Istanbul (2009); 4. Fotofestival Mannheim Ludwigshafen\, Heidelberg (2011); East Side Stories\, Palais de Tokyo (Parigi\, 2012); Gwangju Biennale (2014); Zero Tollerance\, MOMA PS1 (New York 2014); Degrees of Freedom\, Mambo (Bologna\, 2015); Heavenly creatures\, MG+MSUM (Lubiana\, 2018); The Value of Freedom\, Belvedere 21 (Vienna\, 2018). Ha rappresentato la Croazia alla 58° Biennale di Venezia. \nAna Hušman\nLunch\nVideo color PAL\, 4:3\, 16mm trasferito a BETA\, 16’40’’\, 2008 \nLe regole del comportamento corretto trovate nei libri di etichetta si presentano per favorire la comunicazione e aiutare le persone a caprisi l’un l’altro. Affermano inoltre di aiutarci ad impegnarci socialmente con maggiore facilità e fiducia in noi stessi. Queste regole si imparano dalla nascita\, che è l’unico modo per noi di interiorizzarle completamente. il film tratta delle abitudini di mangiare e bere – in particolare durante il pranzo\, come mangiare insieme sia il luogo centrale in cui mostriamo agli altri il nostro modo di nutririci e la nostra finezza. \nLa pratica di Ana Hušman smonta le strutture e le trame degli elementi cinematografici attraverso film\, installazioni\, libri\, suoni\, immagini e testi. La Hušman sperimenta le possiblità di animazione\, metodi cinematografici documentari e immaginari e le possiblità della voce registrata e la sua articolazione. Il suo processo creativo mette in discussione e gioca con le posizioni del soggetto professionista e amatoriale della performatività\, con il mezzo stesso e le strutture che dettano e producono modelli di comportamento. È docente presso il Dipartimento di Animazione e New Media dell’Accademia di Belle Arti di Zagabria\, cofondatrice dell’organizzazione di film documentari RESTART\, dove da molti anni organizza programmi di formazione cinematografica per bambini e giovani. \nMarko Marković\nSharpening\nDocumentazione video della performance\, 12′ 04”\, 2012 \nLa performanace Sharpening si è tenuta alla 44 Wall Street nel prima barricata del posto di blocco della polizia della zona di siurezza nel distretto finaziario\, NYC. Nella performance l’artista affila due coltelli l’uno contro l’altro dando un chiaro messaggio. In questa performance l’artista ha portato le armi in una zona di sicurezza a Wall Street\, L’atto di creare una performance in un campo così contro-difensivo di fronte al „loro“ campo difensivo (la barricata)\, montata a protezione della zona di sicurezza. Questo tipo di protezione creato da chi sta più in alto minaccia e limita la libertà di parola\, movimento e azione. Due mesi dopo la performance\, ad agosto dello stesso anno a Time Square New York la polizia ha sparato e ucciso un uomo con 12 pallottole. L’uomo è stato ucciso perché in possesso di un arma\, un coltello. \nMarko Markovic nasce nel 1983 a Osijek\, in Croatia e vive a Vienna. Si laurea in pittura all’Accademiad’Arte di Split nel 2007 nella classe del professore Gorki Žuvela. Ha anche studiato l’utilizzo di diversi media: video\, installazioni\, ambienti\, performance e happening. Nei suoi lavori suole animare ed includere il pubblico e/o gli altri partecipanti come espressione del medium. E’ fondatore e membro della formazione flessibile Adistia\, un gruppo di persone che opera nelle attuvità performative come un gruppo artistico\, una comunità di artisti o un’organizzazione. Ha partecipato a numerose mostre\, workshop e festival sia in Croazia che all’estero. \nRenata Poljak\nPorvenir\nvideo installazione ad un canale 12′\, 16:9\, 2019 \nSognando terre migliori\, di generazione in generazione\, a causa della povertà\, della fame e delle guerre\, navighiamo lungo i mari. La geografia è il destino. I nostri corpi conservano le memorie dei nostri avi? I ricordi della nostra fuga in cerca di terre migliori sono impresse nei nostri corpi? Porvenir in spagnolo significa futuro. Porvenir è l’unica città nella Tierra del Fuego\, nelle profondità della Terra\, fondata dagli immigrati croati all’inizio del ventesimo secolo. \nRenata Poljak è artista visuale originaria di Split\, Croazia e attualmente vive a Parigi. Il suo lavoro è composto da media differenti: foto\, neon\, istallazioni\, video e film. L’artista esplora il disordine politico e la violenza che caratterizza la regione dei Balcani fin dagli inizi degli anni novanta e le raminifazioni dei cambiamenti ad essi connessi nella vita degli emigrati verso l’Europa Occidentale. Nel 2002 ha vinto il premio ArtsLink come artista in visita al San Francisco Art Institute\, nel Quartiere dei Musei a Vienna tra il 2004 e il 2008 è stata selezionata nel programma di residenza Arte Generale a New York\, mentre nel 2010 è stata seleziona per l’ArtOmi. I lavori di Renata sono stati presentati ovunque\, in personali o collettive\, nelle biennali e nei film festival. L’artista ha ricevuto diversi premi tra cui il Golden Black Award per miglior cortometraggio al Black Box Festival di Berlino nel 2006. Nel 2010 una selezione dei suoi video e film sono stati mostrati al Centre George Pompidou Parigi.
URL:https://www.museonitsch.org/en/evento/economies-of-living-video-art-from-croatia/
LOCATION:Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190627T080000
DTEND;TZID=Europe/Rome:20190629T170000
DTSTAMP:20260516T170832
CREATED:20200930T110430Z
LAST-MODIFIED:20201013T090636Z
UID:1182-1561622400-1561827600@www.museonitsch.org
SUMMARY:INDEPENDENT FILM SHOW 19° Edition
DESCRIPTION:INDEPENDENT FILM SHOW 19 Edition\non June Thursday 27 – Friday 28 and Saturday 29 2019 at the Museo Nitsch (vico Lungo Pontecorvo 29/d Napoli). Film projection starts at 9:30pm \nwww.em-arts.org/en/independent-film-show-2019-edition \nIndependent Film Show 19 edition\, among the most innovative international reviews of experimental film in Italy\, from 2001 coordinated by Raffaella Morra and organised by E-M ARTS associazione culturale in collaboration with Fondazione Morra\, is built around the researches of filmmakers totally free to experiment the ways and the approaches generating complex images that share an accentuated propensity to creative genius. This intense search mode is the result of ingenious choices to instil an alternative way of seeing and to evaluate the intricate codes flowing on the screen and into the mind. The experimental film causes powerful synaesthesia in our sensory receptors and for this reason the Independent Film Show events are admired\, perceived\, and can envelope us… until meditation. The immersive possibility to establish direct contact with the independent filmmaking ideas is the intention of Independent Film Show: unusual perceptual experiences await the audience that for three days proceed for unexplored territories\, enjoying the old and new photochemical practices and the digital media innovations. \nAs the stars show themselves when the sun is set\, so the powerful forces of these films are revealed when the body and the mind cross the threshold of the slightly perceptible\, honing the ways of observation and going beyond the limits of the visible. \nDo not look away\, what we are looking at now will be different next time\, we are going to witness something really alive and spontaneous… \nOn Thursday June 27th in the selection Intuitive imagination curated by Raffaella Morra a sequence of different solicitations leads the observation toward an innovative movement to vary and broaden the world’s views\, slipping out of the stable sensory boundaries: Insolite by Maya Schweizer mingle together a series of images from today and 1944’s last eruption of Mount Vesuvius; in Prádelna (Wash house) by Alexandra Moralesová the material shot during the rehearsals of the play Marat/Sade is used as a pretext to examine the mechanism of theatre and its power of purification; Georgy Bagdasarov’s Fran explores the decomposing 16mm film as the protagonist dissolves in the landscape; Stefano Canapa’s Kairos is a poetic dance film set against a Mediterranean background where film\, nature and body are brought together to produce an interconnected material choreography; in Osmosis by Bradley Eros the elemental\, the ephemeral & the constructed compose a performance for triple images; in this three-screen projection From end to end by Peter Conrad Beyer the structural opposition of images from nature and from civilization engenders a process of comparison and visual unification in an apocalyptic atmosphere inclining towards the chaotic. \nSome exercises of different nature for two slide projectors\, two shutters\, two performers\, optical toys\, one voice and one audience: the performance There must be some way out of here by Alexandra Moralesová and Georgy Bagdasarov is inspired by the reflections of human knowledge on vision and moving image. Human vision is located in one’s physical body\, but it leads the human out of itself and connects to the outside world. The moving image is a construct that requires to be deconstructed and rebuilt again\, if only for the pleasure it provides. \nOn Friday June 28th the program Film is ritual curated by Sabina Maselli samples a small selection of 16mm films from Australian filmmakers working in experimental form and using hand processed techniques\, all members of the Melbourne based film lab Artist Film Workshop. Film is ritual suggests the very hands on approach to making films (layering\, masking\, repetition) seeps into the film itself\, leaving a personal and physical mark on each of them. An alchemical solution – a merging of chemicals and spirit. \n‘satellite’by Sabina Maselli with live sound by Erkki Veltheim is a ritual in film that performs the fracturing of the self and its dispersal into the surrounds by the act of spinning and altering time. This ritual is concerned with the nature of time\, memory and magic. Through the act of repetition (both the camera and the body)\, an animist transformation can occur – a merging of the female and celestial body. The double film is accompanied by a live soundtrack by Erkki Veltheim composed of a single fragment of a woman’s voice that is replicated and modulated\, circling around the image at different speeds. \nAs Italian premier Nervous Magic Lantern: Chaos is Order Misunderstood by Ken and Flo Jacobs with live audio performance by Michael J. Schumacher. Nervous Magic Lantern is a projection device invented by Ken Jacobs in 2000\, and with assistance of his wife Flo (Florence) they has given public performances since then: with simple mechanics that could be invented centuries before film it creates an illusion of deep even more pronounced when seen with a single eye. \nOn Saturday June 29th in the program Mystical spaces curated by Raffaella Morra the films operate as machines to alter the space-time and transfer the viewer into an experience full of fantastic dynamics; these journeys are unearthly accesses to mystical places emanating an animistic essence of cosmos\, as a spiritual power that can influence our well-being: in Alétheia by Enrico Mandirola the Colombian mountainpeaks designed a new fragmented horizon; in The Quilpo dreams Waterflows Pablo Mazzolo filmed the sacred Sanctuary of the Comechingón in Argentina; TÅKE by Inger Lise Hansen observes the spectacle of fog through several different film and video formats; HERMAN(N) is about a street in Berlin with a reputation of a dangerous place\, yet Deborah S. Phillips sees it as an inviting place through the golden light of late summer; Not (a) part by Vicky Smith is conceived in relation to the rapid decline of bees through a high recurrence to handmade film; Bradley Eros and Jeanne Liotta’s Dervish Machine is the site to experience impermanence\, …and to revel in the unfixed image. \nIn Your Eyes Are Spectral Machines Luis Macías materializes the simple illusion of moving image by handling objects in front of the projectors’ light\, a cosmic creation in the center of the screen haloed by undulations of pulsating light. The movement produced by Macías is an alchemic combination of multiple planes of light\, retouched tweaked through focus and fades of 16mm projectors and slide-projectors\, creating fleeting forms of shifting visions. \nMuseo Nitsch \nvico Lungo Pontecorvo 29D – 80135 Napoli \nTel.+39 081 5641655 \nwww.em-arts.org \nwww.fondazionemorra.org
URL:https://www.museonitsch.org/en/evento/independent-film-show-19-edition/
LOCATION:Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190404T080000
DTEND;TZID=Europe/Rome:20190405T080000
DTSTAMP:20260516T170832
CREATED:20200930T110535Z
LAST-MODIFIED:20200930T110535Z
UID:1280-1554364800-1554451200@www.museonitsch.org
SUMMARY:L'incantesimo della soglia. Avanguardie musicali a Napoli
DESCRIPTION:“Incantesimo della soglia” è\, per Walter Benjamin\, ciò che attrae all’ingresso\, sospinge all’entrata. La soglia è metafora dei nuovi templi della contemporaneità\, occasione topografica\, residuale\, di conoscenza. \nL’attraversamento estetico è ragione di sopravvivenza e resistenza per quanti\, ancora\, producono arte\, musica\, poesia\, dacché la porta rappresenta l’accesso desiderante che elimina i limiti e “trasforma colui che passa sotto la sua volta”. Una accezione prospettica\, non solo psicologica\, che invita al cammino. \nIl progetto si configura\, pertanto\, come iniziativa di formazione\, conoscenza e introduzione a quelle avanguardie musicali che – a partire dalla Napoli degli anni Settanta – ancor oggi risultano produttive di effetti e ricadute in prassi dell’agire; si parla di musiche e azioni artistiche in grado di ‘sostenere il tempo’ e di coinvolgere Istituzioni\, teatri\, giovani\, docenti. \nIl focus de L’incantesimo della soglia verrà puntato sul noto\, ma anche sul rizomatico\, su movimenti sommersi o fortemente legati a territori vivi della cultura attuale; e ancora: su scelte di silenzio o su temi esportati anche all’estero; su produzioni discografiche (il cofanetto omonimo “L’incantesimo della soglia”\, con i dischi di Cilio\, Montagano\, Fels e De Simone verrà presentato a chiusura degli incontri); su attività teoriche (con la rivista di musiche contemporanee Konsequenz) e performative. \nL’incantesimo della soglia si terrà il 4 e 5 aprile\, a partire dalle 17\, al Museo Hermann Nitsch\, Fondazione Morra – Vico Lungo Pontecorvo 29/d in due momenti retrospettivi di confronto tra forme musicali plurime\, con una proposta guidata di esecuzioni live\, documenti inediti\, e con gli interventi dei protagonisti di una stagione unica per creatività e produzione. \nL’auspicio: trasferire – nel tempo – questo archivio di memorie ai più giovani\, favorendo l’attraversamento desiderante dell’arte musicale. \nMusiche live\, filmati\, documenti elettronici di \nLuciano Cilio – Eugenio Fels\nGabriele Montagano – Girolamo De Simone \nVerranno coinvolti giovanissimi esecutori che affronteranno\nle opere degli Autori in loro presenza. \n  \nGiovedì 4 aprile 2019\, ore 17\,00\nMuseo Hermann Nitsch\, Fondazione Morra – Vico Lungo Pontecorvo 29/d \nGelsomina Astarita\, Angelo Greco\, Edoardo Ottaiano\, Maria Porta\, Andrea Riccio\, Michele Rossi\, Andrea Russo\, Lucilla Stano\, Carmen Testa\, Andrea Valentino. \nIn geometrie d’ensemble: Iolanda Angrisano\, Manuel D’Aniello\, Dario De Rosa\, Domenico Di Francia\, Andrea Negri\, Fabrizio Rosiello\, Alessandro Silvestro. \nSi ringraziano\, per la grata partecipazione\, i Maestri e gli Allievi del Conservatorio del Liceo Musicale “Margherita di Savoia” di Napoli. \n  \nVenerdì 5 aprile 2019\, ore 17\,00\nMuseo Hermann Nitsch\, Fondazione Morra – Vico Lungo Pontecorvo 29/d \nEugenio Fels\, Umberto De Lucia\, Gianluca Di Perna\, Ivan Gira e numerosi altri interpreti. \nPresentazione del cofanetto discografico “L’incantesimo della soglia”\, collana ‘Nastri ritrovati’ – Konsequenz 2019 \nA seguire\, rinfresco a cura dello chef Vincenzo Corcione \nPer i documenti video e audio\, anche da bobine inedite\, si ringraziano Eugenio Fels\, Gabriele Montagano\, Girolamo De Simone e Michele Liguori. Le foto utilizzate per le brochure e i manifesti sono di Amedeo Benestante – copyright Fondazione Morra. \nSi ringraziano\, altresì\, per la grata partecipazione\, i Maestri e gli Allievi del Conservatorio “San Pietro a Majella” di Napoli. \nAbstract dal programma \n  \nLUCIANO CILIO \nDialoghi del presente (Versione alternativa) \nTrio di fiati\, inedito dalla bobina “I nastri ritrovati” prima assoluta \n  \nEUGENIO FELS \nAlkèmia \nCanto nella notte \nChanson \n  \nGABRIELE MONTAGANO \nEvento \nPreludio \nMetafore I \n  \nGIROLAMO DE SIMONE \nTre aforismi \nBordone \nPianocloud
URL:https://www.museonitsch.org/en/evento/lincantesimo-della-soglia-avanguardie-musicali-a-napoli/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190119T000000
DTEND;TZID=Europe/Rome:20190120T000000
DTSTAMP:20260516T170832
CREATED:20201013T110047Z
LAST-MODIFIED:20201013T110133Z
UID:1292-1547856000-1547942400@www.museonitsch.org
SUMMARY:Three giant kaleidoscopes
DESCRIPTION:Tre caleidoscopi giganti\nCurated by\nDNA Maratea Contemporanea\nin collaborazione con la Fondazione Morra \nSaturday 19 Jan 2019 ore 12 am\nHermann Nitsch museum\nTerrazza dei profumi e dei colori\nVico Lungo Pontecorvo 29/d\, Napoli \nThe Hermann Nitsch Museum is pleased to host Tre caleidoscopi giganti (Three giant kaleidoscopes)\, an event organized by DNA Maratea Contemporanea in collaboration with the Morra Foundation for the inaugural ceremony of Matera European Capital of Culture 2019.
URL:https://www.museonitsch.org/en/evento/three-giant-kaleidoscopes/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181218T080000
DTEND;TZID=Europe/Rome:20181218T170000
DTSTAMP:20260516T170832
CREATED:20201001T120458Z
LAST-MODIFIED:20201013T104858Z
UID:1284-1545120000-1545152400@www.museonitsch.org
SUMMARY:Mario Costa. L’uomo fuori di sé (conference)
DESCRIPTION:MARIO COSTA. L’UOMO FUORI DI SÉ\nA conference starting from a book\nThursday 18th DECEMBER 2018\nat 5:30 pm\nMUSEO HERMANN NITSCH\nconference room\nVico Lungo Pontecorvo 29/d\, Napoli \n— Free admission — \nSPEAKING\nMario Costa\nVincenzo Cuomo\nMaria D’Ambrosio\nMatteo D’Ambrosio\nFilippo Fimiani \n  \nThe Hermann Nitsch Museum will host Mario Costa. L’uomo fuori di sé (The man outside himself)\, a conference with philosopher Mario Costa and experts from different esthetic fields. \nThis event will be an opportunity to discuss the essays presented by Mario Costa to International debates on the aesthetic-anthropological impact of new technologies. \nWith reference to his recent books\, and those dedicated to him\, the author and the experts will reflect on the new theoretical thought created by Costa\, already in the early Eighties of the last century\, focusing on concepts such as “communication aesthetics”\, “technological sublime”\, “communication block”\, “aesthetics of flux” and now\, “technological outsourcing”. \nIn particular\, the event will be centered on these recent books: \n\nMario Costa\, L’uomo fuori di sé. La fotografia\, il fonografo e il telefono nella Parigi del XIX secolo\, Mimesis\, Milano 2018\nMario Costa\, Artmedia. L’oggetto estetico dell’avvenire. Storia di un progetto scientifico\, Kaiak Edizioni\, Tricarico 2017\nAA.VV.\, Arti e tecniche nel Novecento. Studi per Mario Costa\, Kaiak Edizioni\, Tricarico 2017\nMario Costa\, Technology\, communication and aesthetics of de sublime\, in AA.VV.\, Viva Voce. Conversations with italian philosophers\, State University of New York\, 2017\n\nMario Costa (Torre del Greco 1936) is a philosopher and an innovator of the aesthetic studies. His books Il sublime tecnologico (1990/1998)\, L’estetica dei media (1990/1999)\, La disumanizzazione tecnologica (2007)\, Dopo la tecnica (2015)\, known in Italy and abroad\, launched an international debate on the transformations produced by new technologies in Art and Aesthetic\, and opened the path to a philosophy of the technique completely unnoticed in Italy. \nProfessor of Aesthetics at University of Salerno\, where in 1985 he founded and directed “Artmedia”\, a permanent Laboratory on the relation between techno-science\, philosophy and aesthetic. In the same years\, he also taught at “L’Orientale” University of Naples and at “Sophia-Antipolis” University of Nizza. \n  \nBOOK SYNOPSYS \nMario Costa \nL’uomo fuori di sé. La fotografia\, il fonografo e il telefono nella Parigi del XIX secolo \n(The man outside himself.Photography\, phonograph and telephone in Paris at the XIX Century) \nMimesis\, Milan 2018 \nThe book focus on the aesthetic-anthropological effects produced\, at the XIX Century\, by the first technologies of image and sound\, that are photography\, phonograph and telephone\, considering Paris the preferred place of observation. Moving on a double level of historical explorations and theory\, Costa sheds light on our origin and the path we are following. \n  \nMario Costa \nArtmedia. L’oggetto estetico dell’avvenire. Storia di un progetto scientifico \n(Artmedia. Future aesthetic object. History of a scientific project) \nKaiak Edizioni\, Tricarico 2017 \nThis book traces the history of “ARTMEDIA”\, Permanent Media and Communication Aesthetics Laboratory/Seminary created by Costa at University of Salerno. From 1985 to 2009\, ten international conferences on “Artmedia” took place in Salerno\, Naples and Paris\, involving artists and theorists from all over the world. \n  \nVincenzo Cuomo and Igor Pelgreffi (curated by) \nArti e tecniche nel Novecento. Studi per Mario Costa \n(Arts and techniques in the Twentieth. Studies for Mario Costa) \nKaiak Edizioni\, Tricarico 2017 \nAn hommage to Mario Costa with essays by Roberto Barbanti\, Maurizio Bolognini\, Vincenzo Cuomo\, Matteo D’Ambrosio\, Diana Danelli\, Paolo D’Angelo\, Alice de Carvalho Lino\, Derrick de Kerckhove\, Roberto Diodato\, Filippo Fimiani\, Fred Forest\, Fabio Galadini\, Dario Giugliano\, Giuseppe O Longo\, Aldo Marroni and Carla Subrizi. And a drawing by Gianfranco Baruchello. \n  \nMario Costa \nTechnology\, communication and aesthetics of de sublime\, in AA. VV. Viva Voce. Conversations with Italian philosophers \nState University of New York\, 2017 \nThis is a long interview with Mario Costa\, within a collective volume in English that includes other twenty-two interviews\, in which Costa exposes the principles of his aesthetics and philosophy of technology. \nThe book aims to allow the major Italian philosophers to expose\, through a series of questions and answers\, the fundamental lines of their thought. \n  \nMuseo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch\nFondazione Morra\nVico Lungo Pontecorvo 29/d 80135\, Napoli\nTel. +39 081 5641655\ninfo@fondazionemorra.org\nwww.museonitsch.org\nwww.fondazionemorra.org
URL:https://www.museonitsch.org/en/evento/mario-costa-luomo-fuori-di-se/
LOCATION:Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180915T080000
DTEND;TZID=Europe/Rome:20180915T170000
DTSTAMP:20260516T170832
CREATED:20201013T110411Z
LAST-MODIFIED:20201013T125934Z
UID:1311-1536998400-1537030800@www.museonitsch.org
SUMMARY:10 years 2008-2018
DESCRIPTION:Happy Birthday Museo Nitsch. On 15th September\, the Archivio laboratorio per le arti contemporanee Hermann Nitsch in Naples celebrates ten intense years of activity with the inauguration of the ‘Terrazzo dei profumi e dei colori’ (Terrace of Perfumes and Colours) designed by Nitsch himself from his idea of Total Art involving all the senses in an encounter with the work or art and by giving the city new direct access from Piazza Dante with the reopening of the Scala al Vico II Avvocata\, adjacent to the Church of Santa Maria Avvocata. This is an urban redevelopment project that confirms Fondazione Morra’s dedication to the rebirth of the central Avvocata district through art and culture. The opening of the terrace and the new staircase directly connecting Piazza Dante to Salita Pontecorvo is one more addition to the broader ‘Art District’ project\, with the participation (coordinated by the Fondazione) of Casa Morra\, the constantly growing museum complex with its ‘One Hundred Years of Exhibitions’ project\, the Mario Franco Archives dedicated to arthouse cinema\, and the Shozo Shimamoto archive dedicated to the work of the great Japanese master and founder of the Gutai Group. \nThese are not only centres for study and academic research but are also open to the general public thanks to a series of events bringing together music\, cinema\, and theatre. \nA coming together of activities that means the museum becomes a living organism working to foster the development of the city. It is a complex infrastructure where culture is the basis for new scenarios and new identities\, creating urban spaces open to a variety of roles – both material and immaterial – in the new creative metamorphosis of the city. \nThe Nitsch Museum also celebrates its tenth anniversary with a wholly new collection and the presentation of the ‘Wrecks from the 152nd Aktion’\, a large-scale work on various levels that will start at the opening of the new stairway to cross the Museum with its new works up to the highest level of the ‘Terrace of Perfumes and Colours’. It will be a complete sensory experience in the spirit of Gesamtwerk\, the idea of total art that has always inspired the father of Viennese Actionism. \n  \n10 YEARS OF THE NITSCH MUSEUM\n15th September 2018 \n7pm opening of the wrecks from the 152nd aktion \n6pm opening of the scala vico II avvocata (piazza dante) \n6.30pm exil. convivium \n9pm opening of the terrace of perfumes and colours
URL:https://www.museonitsch.org/en/evento/10-anni-museo-nitsch/
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